Historically, the origin of Morin Khuur(Horse-head Fiddle) has been defined by Mongols folklore and musicians. Firstly, different legends about the origin of Horse-Head Fiddle, namely, Хөхөө Намжилын домог”, “Аргасун хуурчийн домог”, “Жонон харын домог” had been popular among the Mongolian people for a long period of time. The main idea of the legends was primarily about great relationships between humans and horses.
For musicians, Horse-Head Fiddle means big language or ‘ikel’ instruments, which played for telling horse’s tales with a long neck of Morin huur and a bucket-shaped feature covered with camel, goat, or sheepskins. This kind of bucket- shaped Morin Huurs are still used in the Western Mongolia. Morin Huurs are different from regions to regions, they can vary in forms and shapes representing horses, humans, lions and crocodile’s heads on the instruments.
The French Scientist M. Each suggested that the origin of Morin huur can be dated back to the ancient times and linked to the turtle’s footage. However, his arty ideas have not been traced due to a lack of proof.
In conclusion, Khuur and Ikel were existent in the ancient Mongolia and different forms of animals and humans head were carved on Morin huur. What is more, the Mongolians perceived their horses not only as a means of transport but also as a valuable treasure by carving the horse’s head on their musical instruments.
Evolution of Morin Khuur
Genghis Khan who was a founder of the Mongol Empire ordered to open all ceremonies with Morin huur which symbolized the importance of musical instruments in Mongolia. For instance, in the beginning of the state ceremonies, Morin huur was played for accompanying the national hymn ‘Ancient Beauty”.
Since XVI century Morin Khuur’s neck was made in the form of a dragon’s head which was related to Manchu Qing’s occupation, as Machu people believed that yellow color denotes the color of the sun and the dragon characterizes a great power as their king who was bright and powerful as the sun. Therefore, Morin huur was a musical instrument for Commons as well as for royalty.
Morin Huur plays a significant role in Mongolian music and dance festivals. For example, the Western Mongolian national ‘bielgee’ would be impossible imagine without Morin huur.
The main figure who developed and modernized the Morin huur music tradition is Mr. G. Jamiyan. He is called ‘Master of Mongolian music’. Jamiyan has not only incorporated methodology of holding the instrument and fingering the notes on the string but also opened the first Morin Khuur’s professional classes in Mongolia.
After 1930, traditional and folklore music was played on Morin huur by Mongolian musicians in different parts of the world; in some humid, hot countries it was hard to play any music because of the leather roughness of the instrument, which was shrunk or even stretched. Therefore, the Mongolian Ministry of Culture invited Mr.Denis Yarovoi (the Russian musician) to change leather of Morin Khuur to a wooden surface, which is currently used as a modern Morin huur instrument.
Morin Khuur’s Design
Morin Khuur’s consists of three main parts such as neck, body, and bow, which neck is made in the form of a horse’s head on the top, also it has a tuning peg, body or the box that produce sounds, with two strings, upper and lower bridges and bows. Morin huur has high and low strings, which `Mongolian people craft during 365 days. The larger of the two strings (the “male” string) has made from a mail tail, while the smaller or lower string has used female tail. Nowadays the strings are made of nylon. Traditionally, the strings were tuned a fifth apart, though in modern music they are more often tuned a fourth apart, usually, The bow is very important thing for Morin Khuur which has been made from willows, birches woods and has two main designs:
- Round bow
- Eight bow
The sound from the bow is similar to that of a violin or a cello. The normal weight of the bow should be from 86-95 gram. The string of Morin huur is made from horsetail hair coated with cedar wood resin and around 250 pieces of horsetails are used in one instrument.
Professional Morin Khuurs standard size
Since the surface of Morin huur has been changed from leather to wooden and Mongolian musicians attempt to change the size, currently Morin huur is having a standard size.
Therefore, the basic sizes of the instrument are as follow :
Morin Khuur’s Bridges: It has upper and lower bridges, which lower or the bigger bridge’s height is around 3.8 cm, length is around 7.3 cm. Upper or smaller bridge’s height should be around 2.2 cm and the length is around 3 cm.
Morin Khuur’s tuning pegs: Tuning pegs should be around 15 cm. If in the neck in total 77 cm would be played, the
most suitable size would be 44 cm. Horse-Head Fiddle’s surface body: Morin khuur’s body is trapeze shaped and the upper part is 20 cm, the lower part is 28 cm, height is 32 cm, the distance between back and front size is 10 cm.
However, all of them are only general size, which may have some changes because of the musicians’ height and weights.
Morin Khuur is played in sitting position, which should be taken in distance from the body. Left hands four fingers usually play the instrument. On the tune F / B,♭ the index finger hits on the low (F) string the G, the middle finger hits the G♯, the ring finger hits the A, the little finger the B flat. Identical positions are on the high strings – C, C♯, D, D♯. The little finger tips the B strings under the F string, while all other fingers touch the strings from the top. The position of fingers, their inside movements usually stay far from Morin Khuur’s neck, which gives a high pressure to the fingers. For right hand playing technique is same as violin instrument.
Today’s Morin Khuur
Modern Moring huur is well known musical instruments around the world. Especially, since 1990 the significant developments have done in Morin Khuur and the most highlighted events related to that is Mongolian presidential Morin Khuur Ensemble, which was opened in 1992 and played on over 30 countries and it consists 30 professionally trained performers.
The founder of Morin Khuur Ensemble Mr. Batchuluun who has not just played Morin huur perfectly, but also trained many professional musicians in Mongolia. From 1992 to 2008 during over 16 years, we can see over 1400 brilliant performances of Mongolian musician who played on both Mongolian and foreign classical music, by showing amazing performances of Morin huur. Since that time, they developed Morin khuur as a musical representation of Mongolian history, values, and cultural heritage. Their main achievements are briefly mentioned below:
- In 1999, the Ensemble used unique sounds of traditional musical instrument Morin khuur in classical Carmen music. Therefore, they received Goo maral awards from the Academy.
- They performed first Mongolian opera named “Troublesome three head”.
- They performed Mozart’s Serenade 49
- Raditskii marsh and many other brilliant performances were played around the world.
The Ensemble regularly performed across Mongolia and toured in many other countries and region such as Japan, Korea, China, Macao, Turkey, the United States of America, Canada, Italy, the United Kingdom and Austria.
In 2003, Horse-Head Fiddle was recognized by Mongolian President as a state music, thus Mongolian people should have a Morin Khuur in their home and should always try to advertise it.
Morin khuur was inscribed as the best musical instrument onto the United Nations Educational, Scientific and Cultural Organisation (UNESCO) in 2003.
You can buy Modern Handmade Horse-Head fiddle from here.
Source : ICHCAP.org